Rakesh's movie talk
Alexander (2004)
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It has been some times since I wrote any review. I am still lazy. But after reading so much of malignant reviews on Alexander, I felt
that I should give my five cents worth. I hope that this review is not a justification measure towards something
I disagree. I just want to share with the readers (which probably consists of me, myself and my ego) the joy I got from the
movie. In Nixon, Oliver Stone
began the movie with a homage to Citizen Kane
(1941), one of the greatest movie of all time - where the camera swoops down through the fence into the giant mansion called the White house. Here, its the 'Rosebud' scene, where the dead man drops
a ring. Of course, the ring is not the red-herring 'Rosebud' that the plot chases. Its about the bearer of the ring. The ring
is of no significance in this movie, nothing like THE ring in THAT trilogy. No. Okay, I will drop the ‘ring’ analogy,
before the LOTR fans drop by in my office. Alexander is not your average sword and sandal epic. But it doesn’t mean that it doesn’t
have the ingredient of the genre. There are two great battle scenes, so ferocious that you wonder if people really got hurt
there, including the technicians. The first battle speaks greatly of the genius of Alexander as a strategist. We are given
a birdseye view, literally, of the whole battle and in the end, we are very clear as to how Alexander and his men won it.
The choreography of the battle is brilliantly executed. The second battle, more gruesome, gives us a clear glimpse as to the
cause of his defeat. It takes a long time to arrive to this scene, but it is worth it. We now really know why Alexander and
his men feared the mysterious east and the ‘giant elephants’ Which brings us to what happens in between. What happens? A lot, if
you are not asleep. If intrigued, the movie moves fast. If not, you will be left looking at the watch. I was intrigued. What
made Alexander Alexander? Stone goes deep into the psyche of this man. Much revelations is done through usual exposition,
symbolism and also by background narration. There is nothing much for Collin Farrell to do, so he does less. Farrell is an
adequate actor, not the type who can bring extra baggage. Blimey, I can't imagine how it would have been if a younger version
of great character actors like Christopher Walken or Robert Duvall have done given this role. They have what Farrell lacks.
Not that I am complaining. Other actors have great fun with their roles, namely Val Kilmer and
Angelina Jolie, both playing Alexander's parents. It should be noted that more often than not, the film examines deeply the
protagonist’s love-hate relationship with his parents, his generals, his people and his conquests, the elements that
he feels completes his life. Yes, there are also some frank depictions of his bisexuality, at the same time, hints the dubious
relationship with his mother. It can be disturbing, I warn you. I was a bit disappointed with the score (Vangelis, who did Chariots
of Fire), but the other departments more than makes up for it, especially the cinematography. Brilliant. You know well
that Stone always has best collaborations in that department, as well as the editing. The production design will have to win an award. If not, I will eat
the tickets. It is comparable, and to a certain extent, better than Gladiator. Sigh, if only Russell Crowe has done
the lead. Another Oscar? Point of view is important in this movie. What are you looking for
and what has the filmaker given you. If it clashes, you will be disappointed. I did not. I have watched most of Stone's
movies, and read many, many interviews. Somehow, he gave exactly the movie I knew will be out from him. He is master
in tragedies. This movie is more of Shakespeare's Julius Caesar, than D.
B. Mille's Ben Hur. There, I gave away the ending. If you go to MRQE, the reviews range from bad to mediocre. Here is
one guy (whom I don't always agree) who symphatises with Stone: http://www.aintitcool.com/display.cgi?id=18886 This may not be Stone’s
best film, but it will certainly remembered, or glorified in the future.
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