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The above quote is by Marlon Brando, the greatest actor in Hollywood. Boy,
do I agree with him!
The toughest question you can ask me presently would be, "which performance of Brando's
is your favourite?" This might trigger a weekend of brooding on my part. Which role? Which movie? When was the first time
he stood out and grabbed the audiences' attention? Is it the role that won him the awards? Two Oscar winning roles? Or
is it one of the extended cameos he had been doing ever since he got the second Oscar?
I pondered and pondered for a long time. I can satisfy myself with this answer; it
is the role that sticks in my mind till I have seen another film worth analysing. Right now, it is his role in Apocalypse
Now, Col. Kurtz. He plays a deranged military guy holed up somewhere in Vietnam, completely isolated from civilisation,
both in the ambience and his mind. The film is based on Joseph Conrad's masterpiece, Heart of Darkness. This
title should have been maintained for the film. It speaks so much about Col. Kurtz, and Brando is simply mesmerising in this
Coppola directed film, which I think is in par with the latter's Godfather films.
Like most guys of my generation (late twenties, early thirties) I realised the prowess
of Brandos acting skill during the adult stage. It was the groundbreaking tale of Don Vito Corleone that opened my eyes. I
watched A Streetcar Named Desire, got hooked, and went on Brando-hunting. I am still hunting for his films, since
so many of them not available in Malaysia.
Brando will forever, like Paul Newman, de Niro and Pacino, be linked with Method
acting. While more than often he never even mentioned the word 'Method', his performance helped to introduce Stanislavskys
fearfully realistic approach to acting to the generations of filmgoers who were fed with stagy performances up till then.
It was shocking. When The Men and Streetcar came out, audiences were shocked. They have never seen such
energy and passion. It was unbelievable. It was to change the Hollywood landscape and haunt Brando forever.
I will not go into detail about him. This you can find it in the excellent website run by a Mahesh Babu at http://brando.crosscity.com
Now, if one were to ask the question; "Are you sure that he is THE best actor in Hollywood?" my answer would be, "positive!"
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His filmography and links in IMDB:
- Huey P. Newton Story, A (2001) (TV) (uncredited) (archive footage) .... Himself
- Larry and Vivien: The Oliviers in Love (2001) (TV) (archive footage) .... Stanley Kowalski
- Score, The (2001) .... Max
- Sophia Loren: Actress Italian Style (1999) (V) (archive footage) .... Himself
... aka A&E Biography, Sophia Loren: Actress Italian Style (1999) (V) (USA: complete
title)
- Free Money (1998) .... The Swede
- Brave, The (1997) .... McCarthy
- All Power to the People (1996) (archive footage) .... (Himself)
- Island of Dr. Moreau, The (1996) .... Dr. Moreau
- Marlon Brando: The Wild One (1996) (TV) (uncredited) .... Himself
- Don Juan DeMarco (1995) .... Dr. Jack Mickler
- Godfather Trilogy: 1901-1980, The (1992) (V) .... Don Vito Corleone
... aka Godfather Saga, The (1992) (V) (USA) ... aka Godfather Trilogy, The (1992) (V)
- Christopher Columbus: The Discovery (1992) .... Tomas de Torquemada
- Hearts of Darkness: A Filmmaker's Apocalypse (1991) .... Himself
- Here's Looking at You, Warner Bros. (1991) (TV) .... Himself (early screen test)
- Freshman, The (1990) .... Carmine Sabatini aka Jimmy The Tucan
- Mort Sahl: The Loyal Opposition (1989) (TV) (archive footage) .... Himself
- Dry White Season, A (1989) .... Ian McKenzie
- Formula, The (1980) .... Adam Steiffel, Chairman Titan Oil
... aka Formel, Die (1980) (West Germany)
- Apocalypse Now (1979) .... Col. Walter E. Kurtz
... aka Apocalypse Now Redux (2001) (International: English title: longer version)
- "Roots: The Next Generations" (1979) (mini) TV Series .... George Lincoln Rockwell
- Raoni (1978) .... English narrator
... aka Raoni: The Fight for the Amazon (1978)
- Superman (1978) .... Jor-El
... aka Superman: The Movie (1978)
- Missouri Breaks, The (1976) .... Robert E. Lee Clayton
- Nightcomers, The (1972) .... Peter Quint
- Ultimo tango a Parigi (1972) .... Paul
... aka Dernier Tango à Paris, Le (1972) (France) ... aka Last Tango in Paris (1972) (UK) (USA)
- Godfather, The (1972) .... Don Vito Corleone
... aka Mario Puzo's The Godfather (1972) (USA: complete title)
- Queimada! (1969) .... Sir William Walker
... aka Burn! (1969) (USA)
- Night of the Following Day, The (1968) .... Bud
- Candy (1968) .... Grindl
... aka Candy e il suo pazzo mondo (1968) (Italy)
- Reflections in a Golden Eye (1967) .... Maj. Weldon Penderton
- Countess from Hong Kong, A (1967) .... Ogden
- Meet Marlon Brando (1966) .... Himself
- Appaloosa, The (1966) .... Matt Fletcher
... aka Southwest to Sonora (1966) (UK)
- Chase, The (1966) .... Calder
- Morituri (1965) .... Robert Crain
... aka Saboteur, Code Name Morituri, The (1965) (UK)
- Bedtime Story (1964) .... Freddy Benson
- Ugly American, The (1963) .... Ambassador Harrison Carter MacWhite
- Mutiny on the Bounty (1962) .... 1st Lieutenant Fletcher Christian, Master's Mate
- One-Eyed Jacks (1961) .... Rio
- Fugitive Kind, The (1959) .... Val Xavier
- Young Lions, The (1958) .... Lieutenant Christian Diestl
- Sayonara (1957) .... Major Lloyd Gruver USAF
- Operation Teahouse (1956) (uncredited) .... Himself
- Teahouse of the August Moon, The (1956) .... Sakini
- Guys and Dolls (1955) .... Sky Masterson
- Desirée (1954) .... Napoleon Bonaparte
- On the Waterfront (1954) .... Terry Malloy
- Wild One, The (1954) .... Johnny Strabler/Narrator
- Julius Caesar (1953) .... Marc Antony
... aka William Shakespeare's Julius Caesar (1953)
- Viva Zapata! (1952) .... Emiliano Zapata
- Streetcar Named Desire, A (1951) .... Stanley Kowalski
- Men, The (1950) .... Ken
... aka Battle Stripe (1950) (USA: reissue title)
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