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This piece was written for the magazine Cinemastar somewhere in the beginning of 2001. Its fun to revisit it and find how things have changed and not changed. The italics is my present (11/09/2002) comments.

Hah! It's 28 Jan 2005 now. I am looking at this piece and I bet a lots of things have changed. Now, all the comments in the asterisks are today's...
















Major Sunderajan, a great character actor, recently remarked that these days 'acting has very much been diluted' . I couldn't agree with him more. Most of the present day actors , with an exception of Kamal and Rajini (the only two who did not waste what Balachander taught them ) seem to have contributed nothing to the acting profession. We see occasional traces of talent in the works of Sathyaraj, Prabhu and Karthik. Thats all. What about the younger stars? I did a little bit of an analysis of my own. What about the actresses, some of you may ask. Well, almost none of them are even capable of using their own voice, which means they are only three-quarters an actress and does not deserve an analysis. Sorry, but here goes...

Ajith

The promising star. The film Valee proved his versatility, especially the unforgettable mute character. You could read his face. There, lays his only weakness. Witness how he scores in scenes those does not require the usage of his own voice, which includes all the song sequences. What he lacks is proper voice projection. I recall a scene in Unnai Kodu Ennai Tharuven where he was supposed to deliver some patriotic lines to his fellow soldiers. His face was expressive, but if you close your eyes you might think that he is talking to his girlfriend. There you go Ajith. Keep up the good job and do something about your voice. For all you know, you might be the next Kamal Hassan.

Note: I was being too nice, wasn't I. Well, no more mercy. I have no hope at all for Ajith. Forget it. He can't be depending on his look and painful-facial-expression-during-songs tactics. I will honestly be surprised if he sticks around long.

*Yup. A washout in the making. He has since become full of himself. He may still have some market, but I don't see him going anywhere. The best, Ajith, is do all of us a favour and quit. Hey, you have some other career, haven't you.

Prasanth

It staggers me to learn that Prasanth has been around more than ten years. What made my jaw drop was not his ability to sustain his market for that long time, but rather his achievement which is dismal in comparison to the opportunity for career development offered for such a long time. The only time I recall him not being himself was in Thiruda Thiruda. He showed some promises up to the time when he did Jeans. Suddenly, he got comfortable with that image and character and got stuck with it till today. He seemed to be preaching the value of love in almost all his film ever since. Bad choice of roles? Or are they simply all he could manage? This is one guy with mysterious future. Not even his father can help him if he is going to go on doing those romantic roles that he is adamant in projecting.

Note: Huh? No comments. Have you?

*My jaw still drops when I think of the secret of his survival. I can go on and on about other star, like Sathyaraj, who had a definite career plan with little talent. But this fellow? Your absence makes Tamil films stronger. Go on, beat it.

Vijay

Vijay came under the tutelage of his father, S.A. Chandrasekhar, a director. Since then Vijay had been very dependent on others for the success of his films. Kathalukku Mariyathai owed very much to its director Fazil; Kushi was a success due to the presence of Jyothika (current darling of the mass) and Deva (current darling of the musically illiterate mass). He is not much of an actor. His acting credibility does not go beyond the moments where he attempts to imitate Kamal and neither does it helps when his dancing routine has nothing to do with the tempo of the song. What I see in him is a floundering star wannabe who might not make it for long. I wish him all the luck.

Note: Luck, my rear! I wish he will disappear from the industry as soon as possible. His contributions is that of a Goat's poop. Even that can be used as manure. Shoo, Vijay. Shoo away!

*I have been cruel up there. Tell you what, I am going to be more cruel. The trouble is, I have watched none of his films ever since the above comment. I can't. It hurts my eye. It damages my intellect. Vijay may survive a bit longer, but as a contributor? Nope.

Prabhu Deva

Its a fact that everybody knows. He is not much of an actor, but a great dancer. Personally I have some affection for this guy. Prabhu Deva, like Rajini and Sathyaraj, if fed with a poor line, is always capable of coming out with something extra. He possesses one element that none of the other young stars do - a great sense of humour. He clicks beautifully in scenes that requires humour and also blends in with the crowd, which consists of comedians like Vivek and Vadivelu. Why did Kamal pick him for Kathala Kathala then if not for that particular quality? I liked his performance in Yezhayin Sirippinile, a role which none of the above youngsters could have pulled convincingly. His hustling amidst the heat and the crowd at the bus station still rings in my ear; "Kumbakonam! Mayavaram! Sithambaram! Nagoo! Nagoo! Nagoo! Nagapattinam!" I certainly am expecting more miracles from this young man.

Note: Have not seen any of his films after Yezhaiyin Sirippinile. That role deserves awards. I have high hopes on him.

*I still have hopes for him. He has turned to direction now. But I know that one day he is gonna make it big.

Suria

He has a legend for a father. So do Prabhu and Karthik. Both of them are still having a tough time trying to match their respective fathers performance, and nor can they top Kamal and Rajini. Suria lacks presence (maybe his height) and his delivery can, at times, be monotonous. He really has to do a lot to improve himself. He seems to have done so with his dancing, but is that enough? We shall see.

Note: So what if he did Nanda? That's an actor proof role. Read on, and you'll know what I mean. He got to do more. I doubt if he will ever become big, no pun intended.

*Pithamagan came and changed everything for Surya. And then, there was Ayutha Ezhuthu where he charmed us with subtle acting. He has now come to the level where Prabhu and Karthik was at the end of nineties. Its all cycle now, its Surya's turn. What next?

 

Arun Kumar

Another actors son. He is certainly a better actor than Vijay and Prasanth combined. He might actually do well, if at all he is not offered the same type of role. Again, too early to tell.

Note: He sure is better than the names I mentioned. Unsure about his future. His body of work is too little and unconvincing.

*Quietly our friend has been earning good names. But too bad, very few good assignments. It will take a great manouever in his part to make it. I think he will be around longer.

Vikram

His role in Sethu is actor proof, which means that the character is so well defined it is so difficult to fail in playing it. He was paired with Ajith in Ullasam and proved his mettle then, though the film disappointed. His track record is still very low and the body of work is unimpressive. He is definitely much better than all of the above combined and certainly deserves much better attention. Who knows, he might give Ajith a run for his money.

Note: After everyone got excited about Ajith, it's Vikram's turn. Again, he shines with Actor-proof role, like Kasi, of recent. Can he pull it off in ordinary role. I don't know. Do you?

*No convinving ordinarry guy role. Still the disabled/weird/not normal roles, that won him the National Award for Pithamagan. My reaction, so what? It is still early, and he may have to resort to Masala again and again to keep himself alive in the market.

Mathavan

I saw clips of his Ennavale and was really impressed. In fact, he looked convincing in that film rather than Alai Payuthe. In the latter, both him and Shalini played 'who can rattle off most words in less time game', much in Maniratnam's tradition. Here he looks relaxed and comfortable and exuded positive involvement in comedy scene. He might actually do very well, again if he chooses his role well.

Note: He is certainly improving. Saw Parthale Paravasam and Kannatil Muttamittal. Enjoyed it and only losing interest during Simran's scenes. His forte should be comedy. He is not that versatile and he should follow Prabhu Deva's footstep and do more comedy.

*My hunch on his comedic capabilities has been right. None of the other actors (except Prabhu Deva) can excel in comedy and Mathavan proved it time and time again recently. The only actor I don't mind watching even when he is doing a crappy movie. I have highest regard for him. Watch Ayutha Ezhuthu and you know what I mean.

 

There you go. If I had missed anyone, its probably they are still new or simply does not deserve mentioning at all. While performance of the actors are going deep down to the drain, the cinema is making no other attempts to redeem itself from the poor quality yarns they keep churning out year after year. All the best directors are equally inconsistent and the only person we could hope for, who would put Tamil film scene in the world map, is Kamal Haasan. Thank God we have him!

Note: Thank god, indeed. I'm glad that I've not changed my opinions much since then. Thank god for that.

*Looks like I have not changed much the last couple of years. I shall be back here in after some time. Let us see if situation have changed.